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NEW QUESTION: 1
The origin of the attempt to distinguish early from modern music and to establish the canons of performance practice for each lies in the eighteenth century. In the first half of that century, when Telemann and Bach ran the collegium musicum in Leipzig, Germany, they performed their own and other modern music. In the German universities of the early twentieth century, however, the reconstituted collegium musicum devoted itself to performing music from the centuries before the beginning of the
"standard repertory," by which was understood music from before the time of Bach and Handel. Alongside this modern collegium musicum, German musicologists developed the historical sub-discipline known as
"performance practice," which included the deciphering of obsolete musical notation and its transcription into modern notation, the study of obsolete instruments, and the re-establishment of lost oral traditions associated with those forgotten repertories. The cutoff date for this study was understood to be around
1750, the year of Bach's death, since the music of Bach, Handel, Telemann and their contemporaries did call for obsolete instruments and voices and unannotated performing traditions - for instance, the spontaneous realization of vocal and instrumental melodic ornamentation. Furthermore, with a few exceptions, late baroque music had ceased to be performed for nearly a century, and the orally transmitted performing traditions associated with it were forgotten as a result. In contrast, the notation in the music of Haydn and Mozart from the second half of the eighteenth century was more complete than in the earlier styles, and the instruments seemed familiar, so no "special" knowledge appeared necessary. Also, the music of Haydn and Mozart, having never ceased to be performed, had maintained some kind of oral tradition of performance practice. Beginning around 1960, however, early-music performers began to encroach upon the music of Haydn, Mozart, and Beethoven. Why? Scholars studying performance practice had discovered that the living oral traditions associated with the Viennese classics frequently could not be traced to the eighteenth century and that there were nearly as many performance mysteries to solve for music after 1750 as for earlier repertories. Furthermore, more and more young singers and instrumentalists became attracted to early music, and as many of them graduated from student- amateur to professional status, the technical level of early-music performances took a giant leap forward. As professional early-music groups, building on these developments, expanded their repertories to include later music, the mainstream protested vehemently. The differences between the two camps extended beyond the question of which instruments to use to the more critical matter of style and delivery. At the heart of their disagreement is whether historical knowledge about performing traditions is a prerequisite for proper interpretation of music or whether it merely creates an obstacle to inspired musical tradition.
The passage mentions all of the following as aspects of performance practice of the early twentieth century EXCEPT for
A. transcribing older music into modern notation
B. spontaneous vocal and instrumental ornamentation
C. varying the delivery of music to suit particular audiences
D. deciphering outdated music notation
E. reestablishing unannotated performing traditions
Answer: C
Explanation:
Explanation/Reference:
Explanation:
Although performance practice did indeed involve varying the performance of a work of music from one time to the next (by including spontaneous vocal and instrumental ornamentation), the passage neither states nor implies that how the delivery of music varied from time to time depended upon the particular tastes of the audience. Thus, choice D is unsupported by the passage.

NEW QUESTION: 2
2 계층 애플리케이션을 Amazon VPC로 이동합니다. Elastic Load Balancing (ELB)로드 밸런서는 애플리케이션 계층 앞에 구성됩니다. 애플리케이션 계층은 RESTful 인터페이스를 통해 구동됩니다. 데이터 계층은 관계형 데이터베이스 서비스 (RDS) MySQL을 사용합니다. 회사 정책에는 전송중인 모든 데이터의 종단 간 암호화가 필요합니다. 회사 암호화 정책을 준수하는 ELB 구성은 무엇입니까?
A. ELB로드 밸런서 프로토콜을 HTTPS로 구성합니다. 애플리케이션 인스턴스 암호화를 로드 밸런서로 오프로드 합니다. Amazon RDS에 SSL 인증서를 설치하고 SSL을 구성합니다.
B. SSL 모드에서 ELB 프로토콜을 구성합니다. 애플리케이션 인스턴스 암호화를 로드 밸런서로 오프로드 합니다.
Amazon RDS에 SSL / TLS 인증서를 설치하고 SSL을 구성합니다.
C. ELB로드 밸런서 프로토콜을 HTTP로 구성합니다. SSL 종료를 위한 애플리케이션 인스턴스를 구성하십시오. SSL 용 Amazon RDS를 구성하고 REQUIRE SSL 권한 부여를 사용합니다.
D. TCP 모드에서 ELB 프로토콜을 구성합니다. SSL 종료를 위한 애플리케이션 인스턴스를 구성하십시오.
SSL 용 Amazon RDS를 구성하고 REQUIRE SSL 권한 부여를 사용합니다.
Answer: D
Explanation:
Explanation
Refer: https://docs.aws.amazon.com/elasticloadbalancing/latest/classic/elb-listener-config.html

NEW QUESTION: 3
Die vom Kunden angeforderte Designänderung wird vom Toe Change Control Board (CCB) genehmigt. Der Projektmanager stellt dann fest, dass eine Änderung des Zehs zu einer dreimonatigen Projektverzögerung führt. Was hätte der Projektmanager tun sollen, um Bus1 zu vermeiden?
A. Gründlich bewertete Zehenanforderung gemäß dem Risikomanagementplan
B. Das genehmigte Budget wurde erhöht und zusätzliche Ressourcen angefordert
C. Der Zeitplan wurde schnell verfolgt und stürzte ab
D. Der Projektumfang wurde neu definiert, um das neue Design aufzunehmen
Answer: A

NEW QUESTION: 4
Refer to the exhibit.

A customer needs to provision storage to a host on Cluster 1, but there is no additional local array capacity to allocate. How could the customer facilitate assigning storage to the Cluster 1 host from an array locally connected to Cluster 2?
A. Create a distributed device from a virtual volume on Cluster
B. Add a remote mirror to a Cluster 2 virtual volume.
C. Add a virtual volume from Cluster 2 to a distributed consistency group.
D. Enable remote access for a Cluster 2 virtual volume.
Answer: D